Anthony J. Berret, S.J.  Funeral Homily Feb 24, 2026   RIP

The Jesuit community is in mourning.   We counted on Tony’s faith and wit to continue engaging us especially those of us in the retirement years.   And I was not surprised to hear that, even the day before his death, our retired brothers with whom he lived in Baltimore at Colombiere were enjoying his company.    We Jesuits and others here now offer our condolences to his family, especially to his niece Elizabeth.   Condolences also to his Sunday worship community, the Villanova Faith and Life Community of which Tony was a loved member, and condolences also to his many colleagues in the broader community of Saint Joseph’s University.   As a Jesuit educator there he inspired so many lives.

There are only a few of us Jesuits standing from the Saint Joseph’s Prep classes of the fifties where I first met Tony.   In particular Tony’s classmates: Joe Lacey who was living with Tony through the last two years or so.   And also classmate Rob Currie, who might be here except for his love for the people of Nicaragua, a country that will not let Jesuits back in should they leave.

Though I am not a direct classmate, I first met Tony when I was a freshman at St. Joseph’s Prep and joined the band, Tony already a trumpet player a year ahead of me and my clarinet.   There were some talented musicians in that class.  We struggled when I was a senior to match the good music of the year before.   And Thirty-five years ago Tony introduced me to his Villanova Faith and Life Community and sometimes I was blessed to join with him in worship or substituted as celebrant when he was otherwise engaged.  I will continue to value those relationships.   All of them loved Tony and many are here with us today.

Tony chose three wonderful readings and a psalm for today’s farewell.  All of them with that rythym of music and poetry that he enjoyed discovering in all of his study of literature.    He is now in that space of celebration that Isaiah describes.      We hear Tony’s voice here encouraging us in the words of Isaiah:   The LORD God will swallow up death forever.
The Lord God will wipe tears from every face;
This is the Lord, let’s be glad and rejoice in his salvation!”

 

And of course, the Psalm chosen reminds us of Tony’s jazz masses.   In the middle of his jazz Mass he would take off his chasuble, pick up his trumpet and join the musicians to make a joyful noise as the Psalm 150 instructs:

Praise God with the blast of the ram’s horn!
Praise God with lute and lyre!
Praise God with drum and dance!
Praise God with strings and pipe!

The second reading from Second Timothy uses some language from competitive sports and military combat.   “I have fought the good fight, finished the race, and kept the faith. “  The language, you might think, doesn’t quite fit.   But if you have looked at his 300 page book “Music in the Works of F. Scott Fitzgerald” you will find how diligent Tony was in finishing that opus.   There are notations to about 250 song references in Fitzgerald’s literary texts and there is a painstaking bibliography.  He fought a good fight and finished that race. 

He was correctly proud of his ability to capture the attention of students in all of his teachings about modern American literature to capture the attention of students.   He knew that music was always in their ears and so references to music and poetry in texts helped them appreciate novels and short stories.  

Let me refer to just one of the songs that Tony discussed in his book about Music in Fitzgerald’s works.  Among the vast variety of musical references is a passing reference to a song with a particular Catholic theme.   Fitzgerald refers in his popular novel “The Great Gatsby” to a song from 125 years ago called “The Rosary.”  A song called “The Rosary.” Its theme is the enduing power of love even in a time of loss. “I tell each bead until the end on which a cross is hung.”  (repeat)   Tony prints some words of the text and some musical notation in his own work.    But in Fitzgerald’s text one reads simply of hearing the song’s melody in the background, no song text and to the reader, of course, no sound.   But the song’s words and sounds have a meaning to which Fitzgerald eludes with the simple naming of the song.   Tony writes that this song with the beads and then the cross fits its particular context in the novel.  He writes “the song expresses the loss, grief, resignation and sacrifice that Nick applies to Gatsby’s death.”

I think here that Tony reveals his own commitment to telling each bead until the end knowing that all of us must join the Lord in his death.  Yes, 86 years of telling the beads of life.

Each bead..Yes.  We Jesuits remember in the past few years that Tony, while at Manresa Hall, was present each day for Mass.  Well, true he did not arrive in time for the communal recitation of the rosary itself but he was engaged in the celebration of the Lord’s death and resurrection when the telling of the beads came to its end.   And he was always engaged at the Mass   There were times when he would offer an amendment to the homilies the celebrants presented.  One day I praised Jesus’ response to the devil’s temptations in the desert when He declared to the devil, “I will not put the Lord my God to the test.” After Mass Tony reminded me of times before a work of healing when Jesus did something like testing the Father, that is, praying to his Father as he began the healing.  And the Agony in the Garden was at least a question of hesitation.  We might argue about these as tests but Tony was always protective of Jesus’s human nature.

Another example of this:  I remember another time a few of us were discussing Jesus’ disregard for his parents when at 12 years old he quietly remained in the Jerusalem Temple when Mary and Joseph and the rest of their party began their journey back to Nazareth after a  Feast of the Passover.    That thoughtless disregard for his worrying parents suggested to Tony that the child Jesus when younger was quite capable of acting like a typical troublesome kid.   Tony kept the faith but not with all the standard piety.

And finally the gospel, this one also with poetry and song.   And here another testament to the confidence that Tony had in God’s care for him.    I am moved especially with this text because it was one that we shared together at a Manresa Hall Mass.   At that Mass there were remarks indicating some relief and satisfaction that the gospels included experiences of older men and women, people like Simeon and Anna, who were thrilled to hold in their arms the child Jesus.   Yes, we think of the usual disciples, both men and women, as the young who could follow Jesus on foot all over Judea and Galilee.   But what about the older among us and those who struggle to walk, let alone walking distances?   Here Simeon takes our place and sings a kind of song supporting our call to faith:

“Now, master, let your servant go in peace according to your word,
 because my eyes have seen your salvation.
(You prepared this salvation in the presence of all peoples.)
 It’s a light for revelation to the Gentiles
 and a glory for your people Israel.”

And this is Tony’s final gift to us.   We could well spend all day telling of his gifts to individuals and communities.  He now lives in the full light of God’s salvation.   As he filled our ears with song and our eyes with the light of faith, let us hear his song in our ears and may his light shine in us.